Goya .brief.

 Francisco José de Goya y Lucientes , as known as Francisco Goya (1741-1828), is considered as the one of the greatest Spanish painter and printmaker of the late 18th century. He traveled to different places through his long career and was extremely valued as an artist at his time. With being an successful and valued painter, Goya jumped through different styles as he was growing as an artist and eventually became pessimistic in some way. He moved Italy at the age of 14 and began to study with José Luzán Martínez. His contribution to Spanish art was huge, and to a great extent he promoted the Spanish enlightenment. His work were relatively romantic later in career, expressing the relationship between naturalism and ideal beauty, but some of his pieces (like Black Painting series) showed an opposite approach in which loneliness and fear, the feeling of struggle and desperate were strongly expressed.

The Second of May 1808, 1814

Plate 4

Yard with Lunatics, c. 1794

Witches' Sabbath or Aquelarre

Sacrifice to Pan, 1771.

                                       

Arts and Crafts movement .brief.

The Arts and Crafts movement emerged from Britain in mid 19th, attempting to reform the art design and trying to present a new appreciation of decorative art forms. The movement began in the second half of 19th century, when designer William Morris dedicated himself into reform the "craftsmanship."

The room: furniture by Phillip Webb and decor by William Morris.

As the picture shown above proofed, artists' collaboration were flourishing during the the movement; the painters provided the original designs and skilled craftsman were responsible to produced it, so there were so many furniture manufacturing, jewelry and metal making going on to that date, and different kinds of material like painting, sculpture, architecture and decorative art, textile, wallpaper, graphic and books were involved because of the collaborative "firm" in the movement.  William Morris and Phillip Webb, the architect, Ford Madox Brown, the painter pushed the movement through their spirit of craftsmanship and the movement were widely spread and reached a new level by 1880s.

William Morris's "Trellis" wallpaper design

vase and bowl from the Paul Revere Pottery

The movement had a great influence left from industry revolution which we could see in some of the architecture work, but the products at this time involved a large amount of artistic value besides machinery. Also, the craftsman were refusing to accept the idea of modern industries because they thought it lost the traditional craft method in the work. Therefore, the movement had produced many finished structure done with traditional craftsmanship and the spirit.

William Morris's Red House designed by Phillip Webb done in 1860.

The Robert Owen Museum, Newtown, by Frank Shaylor.

Edward Weston .brief.

Edward Weston is widely respected as an art photographer in 20th century who mainly focuses on photographing still life, portraits and human form artistically. Majority of black-and-white photographs are grainy and sharp focused, also a large numbers of his work are close-up shots: the images are extremely rich in details.

Nude

Weston's photography pieces have the texture of oil paintings in many ways if you look from distance; when looking more closely what really stands out the most is the subject itself. 

Pepper

Cabbage

Weston's interest and his passionate about nature and form provides him the unique style of combining them together. From 1927-1930, Weston kept taking close-up shots from different nature subject in daily life like rocks, shells and vegetable (pepper and cabbage) ; he brought out the detailed texture of nature and was interpreted that he was trying to express the American lifestyle that emerged from California.

The most attracting factor in Weston's work would be the way he set up the subject; the pepper would be a great example-Weston presented the pepper in a uncanny form that transformed the pepper from a still life to a human form. It had the sense of motions and the curve really spoke a lot for human form. Also in general, it was really interesting for Weston's work that there was always a sort of absurdism in his pieces: the low key lighting, the oil texture and the uncanny forms of the subject.